{"id":1076,"date":"2026-02-06T11:49:24","date_gmt":"2026-02-06T11:49:24","guid":{"rendered":"https:\/\/eng.gch-centre.ge\/?p=1076"},"modified":"2026-02-06T11:50:05","modified_gmt":"2026-02-06T11:50:05","slug":"lezhava-samson","status":"publish","type":"post","link":"https:\/\/eng.gch-centre.ge\/index.php\/2026\/02\/06\/lezhava-samson\/","title":{"rendered":"Lezhava Samson"},"content":{"rendered":"\t\t
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Art Historian, \u00a0Chief Researcher of the Centre, Prof. Dr.<\/span><\/p>

Research interests:<\/strong> Georgian folk art, contemporary Georgian fine art.<\/span><\/p>

Activity:<\/strong> Lectures on Visual Folklore and Trends in the Georgian Painting of 1950-60s at the Tbilisi Academy of\u00a0 Arts; Member of the Editorial Board of \u2018Spectri\u2019 almanac; Member of the Editorial Board of the scholarly journal \u2018Saqartvelos Sidzveleni\u2019\u00a0<\/span><\/p>

Address:<\/strong> 73, Barnov str., Tbilisi.<\/span><\/p>

  1. Gogi Totibadze, \u201cTsiskari\u201d, N10, 1980;<\/span><\/strong><\/li>
  2. Zurab Nizharadze, \u201cTsiskari\u201d, N5, 1981;<\/span><\/strong><\/li>
  3. Issues of Rachian Wood Timbering Decorative Design, \u201cDzeglis Megobari\u201d, 60, 1982;<\/span><\/strong><\/li>
  4. Monuments of Wooden Architecture in Racha, \u201cMetsniereba da Technika\u201d, 1982;<\/span><\/strong><\/li>
  5. Jibson Khundadze\u2019s Painting, \u201cSabchota Khelovneba\u201d, N2, 1985;<\/span><\/strong><\/li>
  6. Dimitri Khakhutashvili, Tbilisi, 1985;<\/span><\/strong><\/li>
  7. Dimitri Khakhutashvili, \u201cSabchota Khelovneba\u201d, N6, 1985;<\/span><\/strong><\/li>
  8. An Unknown Painter Gigo Tarielashvili, \u201cPreska\u201d, 1985;<\/span><\/strong><\/li>
  9. Wooden Dwelling and the Tradition of Georgian Architecture, \u201cSabchota Khelovneba\u201d, N10, 1987;<\/span><\/strong><\/li>
  10. The First Exhibition of Georgian Abstract Artists, N35, 1988;<\/span><\/strong><\/li>
  11. Georgian Painting of the 50s in Periodical Publicism, N1, 1990;<\/span><\/strong><\/li>
  12. For the Issue of the Unity of Georgian and Abkhazian Vernacular Architecture, \u201cKhelovneba\u201d, N2, 1993;<\/span><\/strong><\/li>
  13. Creative Work of Al. Bandzeladze, N3-4, 1994;<\/span><\/strong><\/li>
  14. Specific Character of J. Kukhalashvili\u2019s Painting, \u201cSpektri\u201d, N3-4, 1994;<\/span><\/strong><\/li>
  15. Dramatized and Solemn (E. Kalandadze\u2019s Painting), \u201cKhelovneba\u201d, N4-6, 1995;<\/span><\/strong><\/li>
  16. Al. Bandzeladze\u2019s Creative Work in Correlation with Painting Problems of the 50s, \u201cSpektri\u201d, N5-6, 1996;<\/span><\/strong><\/li>
  17. Oda-Sakhli as a Symbol of Georgian-Abkhazian Unity, \u201cDzeglis Megobari\u201d, N2 (97), 1997;<\/span><\/strong><\/li>
  18. Oda-Sakhli, Collected Works: The World Heritage Centre, Tbilisi, 1997;<\/span><\/strong><\/li>
  19. Kolkh Oda-Sakhli, International training course. Significance of the Vernacular Architecture and Problems of its Conservation. The world Heritage Centre UNESCO, ICOMOS \/ Georgia, Tbilisi, 1997;<\/span><\/strong><\/li>
  20. Multi-functional Role of the Ornament in Vernacular Architecture, \u201cLiteratura da Khelovneba\u201d, N2, 1999;<\/span><\/strong><\/li>
  21. The Essence of the Ornament, \u201cDzeglis Megobari\u201d, N3, (110), 2000;<\/span><\/strong><\/li>
  22. A Dialogue about Georgian Culture, \u201cKiteraturnaya Gruziya\u201d, 2000;<\/span><\/strong><\/li>
  23. Some Issues of Peculiarities of Folk Art, \u201cDzeglis Megobari\u201d, N2 (109), 2000;<\/span><\/strong><\/li>
  24. Decorated Balconies in Kakheti, \u201cKhelovneba\u201d, N3-4, 2000;<\/span><\/strong><\/li>
  25. Problems of Folk Art According to Rene Shmerling\u2019s Ideas, Scientific Session dedicated to R. Shmerling, Collected Reports, Tbilisi, 2000;<\/span><\/strong><\/li>
  26. Old Tbilisi \u2013 Danger or Disaster? \u201cTselitsdeuli\u201d, IV-V, Tbilisi, 1999-2001;<\/span><\/strong><\/li>
  27. Desacralization of Architecture, Academia, 3, 2002;<\/span><\/strong><\/li>
  28. Old Tbilisi after the Earthquake \u2013 What does Georgia Lose, \u201cKhelovneba\u201d, N1-2, 2002;<\/span><\/strong><\/li>
  29. General Characteristic Features of Georgian Vernacular Architecture, \u201cSakartvelos Sidzveleni\u201d, 1, 2002;<\/span><\/strong><\/li>
  30. The Principle of Anthropomorphous Translations and Cosmogramulity in Georgian Vernacular Architecture, \u201cSakartvelos Sidzveleni\u201d, 3, Tbilisi, 2003;<\/span><\/strong><\/li>
  31. For the Significance of Niko Pirosmanashvili\u2019s Painting, \u201cSpektri\u201d, Tbilisi, 2005;<\/span><\/strong><\/li>
  32. Kolkh Oda-Houses in Racha, Tbilisi, 2007.\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/strong><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Art Historian, \u00a0Chief Researcher of the Centre, Prof. Dr. Research interests: Georgian folk art, contemporary Georgian fine art. Activity: Lectures on Visual Folklore and Trends in the Georgian Painting of 1950-60s at the Tbilisi Academy of\u00a0 Arts; Member of the Editorial Board of \u2018Spectri\u2019 almanac; Member of the Editorial Board of the scholarly journal \u2018Saqartvelos …<\/p>\n","protected":false},"author":1,"featured_media":1077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biobiblio"],"_links":{"self":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/comments?post=1076"}],"version-history":[{"count":4,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1076\/revisions"}],"predecessor-version":[{"id":1081,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1076\/revisions\/1081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media\/1077"}],"wp:attachment":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media?parent=1076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/categories?post=1076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/tags?post=1076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}