{"id":1124,"date":"2026-02-06T12:11:17","date_gmt":"2026-02-06T12:11:17","guid":{"rendered":"https:\/\/eng.gch-centre.ge\/?p=1124"},"modified":"2026-02-06T12:12:00","modified_gmt":"2026-02-06T12:12:00","slug":"tumanishvili-elene","status":"publish","type":"post","link":"https:\/\/eng.gch-centre.ge\/index.php\/2026\/02\/06\/tumanishvili-elene\/","title":{"rendered":"Tumanishvili Elene"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1124\" class=\"elementor elementor-1124\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d423259 e-flex e-con-boxed e-con e-parent\" data-id=\"d423259\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aafb3a2 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"aafb3a2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><span class=\"s1\">Art Historian,\u00a0 Chief Researcher of the Centre, Ph.D.\u00a0<\/span><\/p><p class=\"p2\"><span class=\"s1\"><strong>Research field:<\/strong> History of the scenography\u00a0\u00a0<\/span><\/p><p class=\"p1\"><span class=\"s1\"><strong>Address:<\/strong> 22, Ir. Abashidze str., app. 19, Tbilisi.<\/span><\/p><p class=\"p3\"><span class=\"s3\"><a href=\"https:\/\/hosting.intellcom.net:2096\/cpsess7618029043\/3rdparty\/squirrelmail\/src\/compose.php?send_to=%22lika%20tumanishvili%20%22%20%3Czmenteshashvili%40yahoo.com%3E\"><strong>e:mail:<\/strong> zmenteshashvili@yahoo.com<\/a><\/span><span class=\"s4\">\u00a0<\/span><\/p><ol class=\"ol1\"><li class=\"li4\"><strong><span class=\"s1\">A Window Brow from \u201cShavi Sopeli\u201d Site, \u201cDzeglis Megobari\u201d, 60, 1982;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">Setting of \u201cSheep Spring\u201d, \u201cTeatraluri Moambe\u201d, N4, 1989;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">Kote Marjanishvili and David Kakabadze Performance \u201cSplendidly We Live\u201d, \u201cSabchota Khelovneba\u201d, N12, 1989;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">Setting of K. Marjanishvili Performance \u201cSolar Eclipse in Georgia\u201d, \u201cTeatraluri Moambe\u201d, N3, 1990;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">About the Relationship of a Director and an Artist on the Sample of K. Marjanishvili\u2019s Some Performances, \u201cSpektri\u201d, N2, 1990;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">S. Virsaladze and Georgian Dancing Costume, Georgian National Ballet, Tbilisi, 1995;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">Balcony Ornament, \u201cTsiskari\u201d, N2, 1999;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">\u201cUriel Akosta\u201d by K. Marjanishvili and P. Otskheli, Ars Georgica, 11, 2001;<\/span><\/strong><\/li><li class=\"li4\"><strong><span class=\"s1\">Theatre Painting, Collection of the Shota Rustaveli Theatre, Tbilisi, 2008 (co-author).<\/span><\/strong><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Art Historian,\u00a0 Chief Researcher of the Centre, Ph.D.\u00a0 Research field: History of the scenography\u00a0\u00a0 Address: 22, Ir. Abashidze str., app. 19, Tbilisi. e:mail: zmenteshashvili@yahoo.com\u00a0 A Window Brow from \u201cShavi Sopeli\u201d Site, \u201cDzeglis Megobari\u201d, 60, 1982; Setting of \u201cSheep Spring\u201d, \u201cTeatraluri Moambe\u201d, N4, 1989; Kote Marjanishvili and David Kakabadze Performance \u201cSplendidly We Live\u201d, \u201cSabchota Khelovneba\u201d, N12, &hellip;<\/p>\n","protected":false},"author":1,"featured_media":1125,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biobiblio"],"_links":{"self":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/comments?post=1124"}],"version-history":[{"count":4,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1124\/revisions"}],"predecessor-version":[{"id":1129,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/1124\/revisions\/1129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media\/1125"}],"wp:attachment":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media?parent=1124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/categories?post=1124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/tags?post=1124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}