{"id":155673,"date":"2008-05-01T08:10:03","date_gmt":"2008-05-01T08:10:03","guid":{"rendered":"https:\/\/eng.gch-centre.ge\/?p=155673"},"modified":"2026-07-10T08:13:42","modified_gmt":"2026-07-10T08:13:42","slug":"academic-session-dedicated-to-the-centenary-of-tinatin-virsaladze","status":"publish","type":"post","link":"https:\/\/eng.gch-centre.ge\/index.php\/2008\/05\/01\/academic-session-dedicated-to-the-centenary-of-tinatin-virsaladze\/","title":{"rendered":"Academic Session Dedicated to the Centenary of Tinatin Virsaladze"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"155673\" class=\"elementor elementor-155673\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1226d1e e-flex e-con-boxed e-con e-parent\" data-id=\"1226d1e\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9f8f08d elementor-widget elementor-widget-text-editor\" data-id=\"9f8f08d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s x126k92a\"><h6><strong>Conference Hall of the Georgian Academy of Sciences<\/strong><\/h6><h6><strong>Agenda | November 27<\/strong><\/h6><h6>Morning Session \u2014 11:00<\/h6><ul><li><h6><strong>Mariam Didebulidze<\/strong><\/h6><\/li><\/ul><h6><em>Tinatin Virsaladze \u2013 The Founder of the Academic Study of Georgian Painting<\/em><\/h6><ul><li><h6><strong>Reminiscences and Opening Addresses<\/strong><\/h6><\/li><\/ul><h6>Afternoon Session \u2014 14:00<\/h6><ul><li><h6><strong>Asmat Okropiridze<\/strong><\/h6><\/li><\/ul><h6><em>Towards the Sanctuary Murals of Svetitskhoveli Cathedral<\/em><\/h6><ul><li><h6><strong>Marine Kenia<\/strong><\/h6><\/li><\/ul><h6><em>On the Distinctive Features of the 13th-Century Murals in Jhibiani<\/em><\/h6><ul><li><h6><strong>Marina Vachnadze<\/strong><\/h6><\/li><\/ul><h6><em>King Levan of Kakheti and Post-Byzantine Georgian Monumental Painting (Based on the Example of 16th-Century Kakhetian Murals)<\/em><\/h6><ul><li><h6><strong>Nino Chichinadze<\/strong><\/h6><\/li><\/ul><h6><em>Several Painted Icons from Lower Svaneti<\/em><\/h6><ul><li><h6><strong>Giorgi Khoshtaria<\/strong><\/h6><\/li><\/ul><h6><em>The Problem of Artistic Method in Modernism<\/em><\/h6><ul><li><h6><strong>Mariam Gachechiladze<\/strong><\/h6><\/li><\/ul><h6><em>The Unknown Caricaturist of the &#8220;Eshmakis Matrakhi&#8221; (The Devil&#8217;s Whip) Almanac<\/em><\/h6><ul><li><h6><strong>Elene Tumanishvili<\/strong><\/h6><\/li><\/ul><h6><em>The Directorial and Scenographic Concept of Mikhail Tumanishvili&#8217;s &#8220;The Cherry Orchard&#8221;<\/em><\/h6><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0888069 elementor-widget elementor-widget-image\" data-id=\"0888069\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"405\" height=\"360\" src=\"https:\/\/eng.gch-centre.ge\/wp-content\/uploads\/2008\/05\/virsaladze.jpg\" class=\"attachment-large size-large wp-image-155675\" alt=\"\" srcset=\"https:\/\/eng.gch-centre.ge\/wp-content\/uploads\/2008\/05\/virsaladze.jpg 405w, https:\/\/eng.gch-centre.ge\/wp-content\/uploads\/2008\/05\/virsaladze-300x267.jpg 300w\" sizes=\"(max-width: 405px) 100vw, 405px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-af866b0 e-flex e-con-boxed e-con e-parent\" data-id=\"af866b0\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Conference Hall of the Georgian Academy of Sciences Agenda | November 27 Morning Session \u2014 11:00 Mariam Didebulidze Tinatin Virsaladze \u2013 The Founder of the Academic Study of Georgian Painting Reminiscences and Opening Addresses Afternoon Session \u2014 14:00 Asmat Okropiridze Towards the Sanctuary Murals of Svetitskhoveli Cathedral Marine Kenia On the Distinctive Features of the &hellip;<\/p>\n","protected":false},"author":1,"featured_media":155675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-155673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/155673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/comments?post=155673"}],"version-history":[{"count":7,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/155673\/revisions"}],"predecessor-version":[{"id":155681,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/155673\/revisions\/155681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media\/155675"}],"wp:attachment":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media?parent=155673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/categories?post=155673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/tags?post=155673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}