{"id":898,"date":"2026-02-06T10:29:13","date_gmt":"2026-02-06T10:29:13","guid":{"rendered":"https:\/\/eng.gch-centre.ge\/?p=898"},"modified":"2026-02-06T10:29:53","modified_gmt":"2026-02-06T10:29:53","slug":"bulia-marine-maka","status":"publish","type":"post","link":"https:\/\/eng.gch-centre.ge\/index.php\/2026\/02\/06\/bulia-marine-maka\/","title":{"rendered":"Bulia Marine (Maka)"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"898\" class=\"elementor elementor-898\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d423259 e-flex e-con-boxed e-con e-parent\" data-id=\"d423259\" data-element_type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aafb3a2 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"aafb3a2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Art Historian, Senior Researcher, Editor\u00a0in chief of the Scientific Journal\u00a0<em>Academia.<br \/><\/em>Ph.D. (Doctoral Dissertation:\u00a0<em>Mural Painting of Annunciation Church in David Garedji Udabno Monastery (On the History of Georgian Mural Painting in the second half of 13-th century),\u00a0<\/em>1993).<br \/><strong>Research Interests: <\/strong>Medieval Georgian Art and Culture, Cultural Heritage Preservation and Popularization.<\/p><p>e-mail:\u00a0<a href=\"mailto:makabulia@yahoo.com\">makabulia@yahoo.com<\/a><\/p><ol><li><strong>Marina Bulia, Reliquary-Chapel of St Demetrios at the Davitgareji Desert,\u00a0<em>Zograf<\/em>, N 44, 2020;<\/strong><\/li><li><strong>Marina Bulia, Vita Cycle of St Demetrius of Thessaloniki and His Holy Relics at Dodorka Monastery, International Conference:\u00a0<em>Davit Gareji. Multidisciplinary Study<\/em>\u00a0<em>and Development Strategy,<\/em>\u00a0<em>Proceedengs<\/em><em>,<\/em>\u00a02020;<\/strong><\/li><li><strong>Mzia Janjalia, Marina Bulia, Kirants Paintings: Main Issues,\u00a0<em>Georgian Antiquities<\/em>, N 22, 2019;<\/strong><\/li><li><strong>Mzia Janjalia, Marina Bulia, Trend vs Cultural Context in Medieval Art: Case of the Kirants Paintings, N V\/2,\u00a0<em>Convivium<\/em>, 2018;<\/strong><\/li><li><strong>Marina Bulia, Observations on the Veneration of the Relics in the Medieval Georgia,\u00a0<em>Georgian Antiquities<\/em>, N 21, 2018;<\/strong><\/li><li><strong>Marina Bulia, Mzia Janjalia, The Akhtala Paintings: Cultural Identity Issues,\u00a0<em>Georgian Antiquities<\/em>, N 20, 2017;<\/strong><\/li><li><strong>Marina Bulia, Mzia Janjalia, Medieval Art and Modern Approaches: a New Look at the Akhtala Painting,\u00a0<em>Convivium Supplementum South Caucasus<\/em>, 2016;<\/strong><\/li><li><strong>Marina Bulia, Murals of the Newly Discovered Chapel of the Dodorka Monastery (Preliminary Considerations),\u00a0<em>Ancient Art Today<\/em>, N 6, 2015;<\/strong><\/li><li><strong>Marina Bulia, Murals of Kolagiri (Precision of Date),\u00a0<em>Georgian Antiquities<\/em>, N 16 2013;<\/strong><\/li><li><strong>Marina Bulia, Tetri Udabno Murals and Some Aspects of the Early Medieval Georgian Painting,\u00a0<em>Georgian Antiquities<\/em>, N 15, 2012;<\/strong><\/li><li><strong>Marina Bulia, For the Meaning of Gareji Hermitage Paintings,\u00a0<em>ACADEMIA<\/em>, N 1, 2010;<\/strong><\/li><li><strong>Marina Bulia, Aneli Volskaia, Dimitri Tumanishvili, Temo Jojua,\u00a0<em>Davitgareji Monasteries, Natlismcemeli, Bertubani,<\/em>\u00a0Tbilisi, 2010 (co-author, co-editor of the book);<\/strong><\/li><li><strong>Marina Bulia, One Iconographie Peculiarity of the Mural Decoration of Queen Tamar Epoch,\u00a0<em>Georgian Antiquities<\/em>, N 12, 2008;<\/strong><\/li><li><strong>Marina Bulia, Aneli Volskaia, Dimitri Tumanishvili,\u00a0<em>Davitgareji Monasteries, Laura, Udabno,<\/em>\u00a0Tbilisi, 2008 (co-author, co-editor of the book);<\/strong><\/li><li><strong>Marina Bulia, Mzia Janjalia,\u00a0<em>Old Georgian Cities and Towns. Mtskheta<\/em>, Tbilisi, 2000, 2006 (co-author, co-editor, of the book);<\/strong><\/li><li><strong>Marina Bulia, Mzia Janjalia,\u00a0<em>Old Georgian Cities and Towns. Tbilisi<\/em>, Tbilisi, 2002, 2006 (co-author, co-editor, of the book);<\/strong><\/li><li><strong>Marina Bulia, Mzia Janjalia,\u00a0<em>Old Georgian Cities and Towns. Kutaisi<\/em>, Tbilisi, 2006 (co-author, co-editor, of the book);<\/strong><\/li><li><strong>Marina Bulia, Donor Portraits in the Main Church of the Natlismcemeli Monastery in Davit Gareji,\u00a0<em>Georgian Antiquities,<\/em>\u00a0N 7-8 2005;<\/strong><\/li><li><strong>Marina Bulia, Commemorative Chaples in the Desert Monastery: The Church of the Annunciation at Udabno and its Wall Paintings, In:\u00a0<em>Desert Monasticism. Gareja and the Christian East,<\/em>\u00a0Tbilisi, 2001.<\/strong><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Art Historian, Senior Researcher, Editor\u00a0in chief of the Scientific Journal\u00a0Academia.Ph.D. (Doctoral Dissertation:\u00a0Mural Painting of Annunciation Church in David Garedji Udabno Monastery (On the History of Georgian Mural Painting in the second half of 13-th century),\u00a01993).Research Interests: Medieval Georgian Art and Culture, Cultural Heritage Preservation and Popularization. e-mail:\u00a0makabulia@yahoo.com Marina Bulia, Reliquary-Chapel of St Demetrios at the &hellip;<\/p>\n","protected":false},"author":1,"featured_media":899,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biobiblio"],"_links":{"self":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/comments?post=898"}],"version-history":[{"count":4,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/898\/revisions"}],"predecessor-version":[{"id":903,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/898\/revisions\/903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media\/899"}],"wp:attachment":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media?parent=898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/categories?post=898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/tags?post=898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}