{"id":930,"date":"2026-02-06T10:42:40","date_gmt":"2026-02-06T10:42:40","guid":{"rendered":"https:\/\/eng.gch-centre.ge\/?p=930"},"modified":"2026-02-06T10:43:06","modified_gmt":"2026-02-06T10:43:06","slug":"aladashvili-natela","status":"publish","type":"post","link":"https:\/\/eng.gch-centre.ge\/index.php\/2026\/02\/06\/aladashvili-natela\/","title":{"rendered":"Aladashvili Natela"},"content":{"rendered":"\t\t
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(1923, Tbilisi \u2013 2006, Tbilisi)\u00a0<\/span><\/p>

Art Historian, Prof. Dr. (1980), Professor (1983). She graduated from the Tbilisi State University, Department of History (1944) and took post-graduate training at the G. Chubinashvili Institute of History of Georgian Art (1946-1949). In 1950 she started to work in the same Institute, and from 1987 she was a Leading Researcher. From 1968 she lectured at the Tbilisi Academy of Fine Arts.\u00a0\u00a0<\/span><\/p>

Subject of her research work was medieval Georgian sculpture and its connection with the Byzantine, Armenian and Western European sculpture; identification of the general trends and stages of development of the Georgian monumental sculpture; medieval Georgian mural painting (in particular, the monuments of Svaneti); modern Georgian fine art.\u00a0<\/span><\/p>

N. Aladashvili took part in the international symposia dedicated to Georgian art, interrelation of the Georgian and Byzantine art; she was participant of the International Congress of Byzantinists.\u00a0\u00a0\u00a0<\/span><\/p>

  1. Nikortsminda Reliefs (About a Fa\u00e7ade Sculpture in Medieval Georgia), Tbilisi, 1957;<\/span><\/strong><\/li>
  2. Murals of a Painter Tevdore in Zemo Svaneti, 1966 (co-authors G.Alibegashvili, A. Volskaya);<\/span><\/strong><\/li>
  3. Paints and Skills (About S. Virsaladze\u2019s Creation), \u201cLiteraturnaya Gruziya\u201d, 11, 1971;<\/span><\/strong><\/li>
  4. The Art of the Georgian Socialist Republic (1921-1941), \u201cIskusstvo Narodov SSSR\u201d, vol. VII, M. 1972 (co-author G. Alibegashvili);<\/span><\/strong><\/li>
  5. Illustrations of Georgian Artists for the Works of Vazha-Pshavela, Ars Georgica, 7-B, Tbilisi, 1974;<\/span><\/strong><\/li>
  6. Medieval Monumental Sculpture of Georgia (5th-11th cc Fa\u00e7ade Reliefs), M., 1977;<\/span><\/strong><\/li>
  7. Some Peculiarities of 10th-11th cc Georgian Fa\u00e7ade Sculpture, materials of the II International Symposium of Georgian Art, Tbilisi, 1977;<\/span><\/strong><\/li>
  8. Altar Conch Compositions in the Churches in Svaneti, materials of the IV \u00a0International Symposium of Georgian Art, Tbilisi, 1983;<\/span><\/strong><\/li>
  9. Gli Affreshi in the book: I Tesoti Della Georgia, G. Alibegashvili, V. Beridze, A. Volskaya, L. Khuskivadze. Arnoldo Mondadori editore, Milano, 1984;<\/span><\/strong><\/li>
  10. Dimitri Tavadze (Theatre Artist), Tbilisi, 1986;<\/span><\/strong><\/li>
  11. Volkst\u00fcmliche Str\u00f6mung in der Mahlschule von Svaneti, materials of the V \u00a0 \u00a0 International Symposium of Georgian Art, Bari \u2013 Leche, 1986;<\/span><\/strong><\/li>
  12. Fa\u00e7ade Wall Painting in Zemo Svaneti, Ars Georgica, 9-A, Tbilisi, 1988 (co-author A. Volskaya);<\/span><\/strong><\/li>
  13. Iconographic Programme and Style of the Sculpture of a Column in the South Gallery of O\u0161ki Church, Georgia II, Bologna, 1988;<\/span><\/strong><\/li>
  14. The Issue of Interrelation of Different Branches of Medieval Georgian Sculpture, \u201cLiteratura da Khelovneba\u201d, N1-6, Tbilisi, 1995;<\/span><\/strong><\/li>
  15. Deesis Composition in Georgian Sculpture in Correlation with its Portrayal in Byzantine Plastic Arts, materials of 1991Byzantine Art Historians XVIII Congress, Shepherdstown, 1996;<\/span><\/strong><\/li>
  16. Interpretation of the Theme of the Lord and the Virgin Glory in the Early Medieval Georgian Sculpture. Issues of Georgian Church, Georgian Ecclesiastical Writing and Christian Art, Tbilisi, 1998;<\/span><\/strong><\/li>
  17. Sculptural D\u00e9cor and its Theological Programme of the 11th c Svetitskhoveli Temple in Mtskheta \u2013 Christianity, Past, Present and Future, Tbilisi, 2000;<\/span><\/strong><\/li>
  18. Zemo Svaneti, Medieval Art, a Guidebook, Tbilisi, 2001 (co-author R. Kenia);<\/span><\/strong><\/li>
  19. Presentation of Liturgy on Stone Reliefs (Early and Developed Middle Ages), Academia, N2, Tbilisi, 2001;<\/span><\/strong><\/li>
  20. The Issue of Correlation of Georgian Sculpture with Byzantine Sculpture (10th c Deesis Relief of Oshki Temple), Georgian Art Research, I, Tbilisi, 2001;<\/span><\/strong><\/li>
  21. The Place of Figured Reliefs in the Fa\u00e7ade D\u00e9cor of Doliskana Church, Georgian Art Research, II, Tbilisi, 2002;<\/span><\/strong><\/li>
  22. Un des monuments de l\u2019\u00e9cole de peinture Svane (les peintures murales de l\u2019\u00e9glise du Sauveur d\u2019Adichi), AM\u03a0\u0389\u0394\u038fN, collected articles dedicated to the memory of D. Muriki, vol. 1, Athens, 2003;<\/span><\/strong><\/li>
  23. South Portal of Khakhuli Temple, Georgian Art Research, III, Tbilisi, 2004.<\/span><\/strong><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    (1923, Tbilisi \u2013 2006, Tbilisi)\u00a0 Art Historian, Prof. Dr. (1980), Professor (1983). She graduated from the Tbilisi State University, Department of History (1944) and took post-graduate training at the G. Chubinashvili Institute of History of Georgian Art (1946-1949). In 1950 she started to work in the same Institute, and from 1987 she was a Leading …<\/p>\n","protected":false},"author":1,"featured_media":697,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biobiblio"],"_links":{"self":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":4,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/930\/revisions"}],"predecessor-version":[{"id":934,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/posts\/930\/revisions\/934"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media\/697"}],"wp:attachment":[{"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/media?parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/categories?post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eng.gch-centre.ge\/index.php\/wp-json\/wp\/v2\/tags?post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}