Conference Hall of the Georgian Academy of SciencesAgenda | November 27Morning Session — 11:00Mariam DidebulidzeTinatin Virsaladze – The Founder of the Academic Study of Georgian PaintingReminiscences and Opening AddressesAfternoon Session — 14:00Asmat OkropiridzeTowards the Sanctuary Murals of Svetitskhoveli CathedralMarine KeniaOn the Distinctive Features of the 13th-Century Murals in JhibianiMarina VachnadzeKing Levan of Kakheti and Post-Byzantine Georgian Monumental Painting (Based on the Example of 16th-Century Kakhetian Murals)Nino ChichinadzeSeveral Painted Icons from Lower SvanetiGiorgi KhoshtariaThe Problem of Artistic Method in ModernismMariam GachechiladzeThe Unknown Caricaturist of the “Eshmakis Matrakhi” (The Devil’s Whip) AlmanacElene TumanishviliThe Directorial and Scenographic Concept of Mikhail Tumanishvili’s “The Cherry Orchard”
Academic Session Dedicated to the Centenary of Tinatin Virsaladze
Conference Hall of the Georgian Academy of Sciences
Agenda | November 27
Morning Session — 11:00
Mariam Didebulidze
Tinatin Virsaladze – The Founder of the Academic Study of Georgian Painting
Reminiscences and Opening Addresses
Afternoon Session — 14:00
Asmat Okropiridze
Towards the Sanctuary Murals of Svetitskhoveli Cathedral
Marine Kenia
On the Distinctive Features of the 13th-Century Murals in Jhibiani
Marina Vachnadze
King Levan of Kakheti and Post-Byzantine Georgian Monumental Painting (Based on the Example of 16th-Century Kakhetian Murals)
Nino Chichinadze
Several Painted Icons from Lower Svaneti
Giorgi Khoshtaria
The Problem of Artistic Method in Modernism
Mariam Gachechiladze
The Unknown Caricaturist of the “Eshmakis Matrakhi” (The Devil’s Whip) Almanac
Elene Tumanishvili
The Directorial and Scenographic Concept of Mikhail Tumanishvili’s “The Cherry Orchard”